I’ve been a TEED fan for a long time, and it makes me really happy that he is back on the solo production train after some well-publicised time away and ups and downs. His two latest singles tell me that his second album is one to be excited about. Where the Lights Go will be released in July and has a mammoth 17 tracks. A lot more TEED to look forward to.
Bonus album: 8th June 2022 will mark the 10-year anniversary of the release of Trouble. And here it is.
If you are a fan of Flight Facilities’ Down to Earth then this will be right up your street. We all know that Bondax can deliver a catchy electronica track; in Fade, SHELLS channels every ounce of her inner Christine Hoberg to deliver vocals that pair urgency with a soft wistfulness and take it to the next level. I get the feeling the new album is going to be a goodie.
And here is that classic album from Flight Facilities themselves:
Ain’t no two ways about it, I’m a big fan of Space Dimension Controller. He has released a really tasty 6-tracker on his own Tiraquon Recordings.
The release is a slight departure in tone from his usual work; it is less ‘high-concept’ in the sense that there is no space-traveller voiceover, and the tempo is raised a little. Both changes make the tracks just that little bit more danceable. Even so, the release feels very much of the Space Dimension Controller universe. Maybe this is the stuff playing in the clubs of Mikrosektor-50 when Mr. 8040 walks in. Anyway, none of the originality or charm of the persona is lost. Listen up.
If you didn’t understand any of what you just read, where have you been? Do your homework.
I have a really special treat for you today readers.
There have been quite a few Nina Simone remixes coming out recently as part of a Greatest Hits re-issue, and I have been pretty unimpressed. To be fair it is a hard job to take recognisable and established tracks and reimagine them in a way that is an enhancement, without killing what was special about them to begin with. That challenge is amplified when it comes to Nina – her vocals tread a fine line between power and fragility. That tension is why she is such an iconic singer, and why she is able to convey so much emotion through her voice. It is also why most remixes of her tracks seem to miss the mark.
And so how does Hot Chip get this one so right?
I get the sense they are real fans of her work. They treat the vocal with a huge amount of respect and still let it lead the energy and the tone of the track. And then behind it they build up an incredible soundscape with piano, electric guitars and a bassline so thick you can almost touch it. It gets full marks from me.
Early Jan might not be the most clubby time for most people, but I couldn’t help but share this one from Windows (formally DJ Windows XP).
The EP opens up with All the Things You Are; I can only describe it as a thumpy monster. But the best part about it is that I’m pretty sure it samples Estelle & Kanye’s American Boy. Inventive, genius, and did I mention thumpy?
Sunset Love is a bit more on the dreamy side and sounds like an early Wayward track. Also highly likable.
Finally Secrets and Long Gone are both nice atmospheric pieces with nice piano and string leads respectively. I suspect they will last a little less long in the memory, but they both stand up well.
Check it out. I’m looking forward to seeing what he comes up with next.
It has been a beat since I’ve posted about Bonobo. The guy is my most listened to artist of the year, again, again, so it only feels right. Top 1% of listeners baby.
Anyway he has 4 new tracks out ahead of the release his upcoming album Fragments, including collaborations with O’Flynn, Jamila Woods and Jordan Rakei. My pick of the bunch is Rosewood. Bonobo delivering a trademark Bonobo track. Doing what he does best. Touch.
Bonus: all 4 tracks are on this playlist if you want to check out the others. And let’s face it, why wouldn’t you?
There are tickets on sale to 4 dates he has at the Royal Albert Hall. Definitely worth a look.
If you’d asked me back in 2012 who my favourite artist was, there’s a good chance I would have said Totally Enormous Extinct Dinosaurs. Trouble was released that year – to date it remains TEED’s only full length album, and it would be tempting to say that Orlando’s production output hasn’t lived up to its promise. There have been some sparks, not least collaborations with Bonobo, Tinashé and Amtrac, but I’ve been thirsting for some new solo work that hits the heights of that album.
And, here we have it.
It’s a high quality EP. My pick is Into the Light.
Bonus album: Trouble. Where it all began. I’ve don’t know why I’ve never written a gushing post about it before. Here it is in all it’s glory.