How has the pandemic affected content creation? Well this video is certainly a product of the miasma, the confusion and the isolation. It’s a decent track as well – a tinge of Bonobo’s clubbier pieces to it.
When this first came on I wasn’t so excited. The intro feels a bit disjointed – over-tricksy, over-sampled. Too Future Classic-y.
But after a while the threads begin to come together and what this track really hangs on is the strength of the main sample*. The bass underlines it, and the synths bring out the flavour. Sing it with me, “Me and My Heart, we’ll make it, we’ll make it through”.
* It’s Demi Lovato!
Did you know that the gaming industry is bigger than film and music combined? Crazy huh?
Well Omar S has clearly done his homework, because he has gone and made a game. It’s called Record Packer, and you can play it online, for free, right here. Oh, and the soundtrack is dope, obviously.
Happy New Year music fans. As ever I’m pumped to bring you a load of new music this year, but before I do, let’s have one final post on the cursed year that was 2020. Here are my most played tracks of the year courtesy of Spotify. You’ll find some new ones, some old ones, some quick ones and some slow ones. Pop it on shuffle and enjoy.
Quick note – as ever there are a couple of albums on here that I’ve rinsed for chilling out. So expect some abrupt vibe changes. You’ve been warned.
As you might have been able to guess it is 5 years since Bristol-based label Shall not Fade entered the scene. To celebrate, their 5th compilation. There is a lot to like packed into the 16 track double-LP (with 5 bonus tracks on the digital version).
My picks are Everything You Need by Module One & Soela, Welcome Aboard by DJ Psychiatre and T Garden by the ever-impressive Lxury.
Unmistakably Jacques Greene, in the best way possible. Haunting. Cool. Emotional. Deep. Beautiful.
Thaw is his first solo release since Dawn Chorus. Check it out.
I know everyone goes on about the Spotify annual round-up (I love it too, don’t get me wrong). But sometimes Soundcloud bangs. Check out a playlist of HarrysMusicalEmporium’s top played tracks this year, right here.
Unlike Spotify, it features a bunch of artists I don’t know so well. Just really nice vibes for the weekend. Enjoy.
“Heyy I’m Jess, I make tunes about my life. i grew up in Spain but i’m Irish and living in London. dunno if you care about any of that but was told I should make a bio so hope that was alright lol x”
So says Jess Smyth, aka Biig Piig, and I think we’d better listen up.
Photo credit: Matilda Hill-Jenkins
This is a really interesting album to listen to. Tracks are scattered from 81 to 147 bpm. I get that that might not sound like an appealing prospect to some people. But I think this is one worth a little effort. Each track feels like an event – they weave together in way that shouldn’t work but does.
You’ll know what I mean from the first two tracks The Relic and Star – they have more than a touch of Jacques Greene about them – building R&B vocal samples into a broody electronic aural landscape – but they go into a darker place than Jacques tends to. The album then swerves into over the top brass and hip-hop with Freddie Gibbs on the vocals, before reaching my top pick, Wait 4 U. It is neat and uncomplicated, like an early Ramadanman track. My other top pick is Believe in U is Wait 4 U‘s upbeat twin. A final mention goes to 1000 Miles, featuring Sub Focus.
Bonus track: this is what got Machinedrum onto my radar back in 2014. It’s his emotional remix of Kelis, and it’s a banger.
Do you remember nightclubs? This video will take you right back, trust me. Exactly how it happens. 100% just the same as always. Just a normal night in a normal club. You know how it is.