Dear reader, I have an apology to make. This track came out in 2018 and came into my life hard. And I’ve just been sitting on it. It’s not good enough from me. No excuses. You come here for quality music, and I’ve let you down by taking 24 months to serve it up. Please accept my apology.
Now, what do we have here? It is a house track with massive energy that walks the line between sweet and sour. It’s screwy, it’s pumping. Huge vibes. A real monster. Enjoy.
Interesting sidenote: in much the same way as The Black Madonna rebranded to become The Blessed Madonna during the BLM movement, Marquis Hawkes has switched to his birth name – Mark Hawkins. He explained his original choice of artist name as a nod to the legendary late house producer Kenny Hawkes. However, he has been criticised for co-opting black culture for his own gain, and with the additional scrutiny and awareness that the BLM movement has created, decided to go with the name his mother gave him. Fair play.
It took all of 2 seconds for me to know that this was going to be a banger. Strong Sizzlingenergy. It would have been the track of the Summer if we had one. Soak it up all the same.
Bonus track: if it feels like Karma Kid has been around an age now, you may be surprised to hear that he is only 26. He came onto the scene with this, when he was just 18, with strong Michael Cera vibes. Nuts.
It’s a big day when two of your favourite artists come together to release new music. Totally Enormous Extinct Dinosaurs and Bonobo. What a combo. The track they have come up with is Heartbreak and it has each of their fingerprints all over it.
I like it. In fact I really like it. It’s the kind of track that will blow up a Printworks set. Nice ravey 90s drums and a soulful vocal sample. What’s not to like really?
Big ol’ housey banger. It’s strange, it’s creative and it’s large.
This is a track that I cannot wait to hear out. As in out out.
I came across this little beauty in another of Boiler Room’s Streaming From Isolation mixes. Peggy Gou from the highest point in Seoul. Solid. Very solid indeed.
P.S. A divisive question for you: is Peggy Gou…
a) fucking awesome – the incredible global female DJ superstar from a traditionally underrepresented minority that the whole world needs, OMG I love Peggy!
b) a bit basic?
I’m hearing both sides of the argument. Let me know please
If you’re having the feeling that Summer has been cruelly ripped from your grasp by this COVID-crap then I have something to help. Melbourne Drum Authority. They describe themselves as a “Melbourne house music collective looking to make you groove” and that is pretty bang on. In the Groove is my pick, a cheeky acid-infused disco chugger with a lovely little brass section – what’s not to love?
Natural High is their debut release, out now on Sydney-based label Refuge Recordings, and that’s all I know. Enjoy.
Moodymann has two modes: lusty and haunting. His new album Taken Away retains some of his signature erotic funk, but ache come to the fore.
At the start of 2019 Moodymann (Kenny Dixon Jr.) was involved in a pretty terrifying incident with the police – a reality that people of colour face in America on a shockingly frequent basis. Famously enigmatic, he does his talking through his sampling, and his message comes across loud and clear, especially in the title track. It’s house music, it’s foot-stomping, but it is filled with pain and anger.
My take on some more upbeat Moodymann here and here, or you can read an excellent review of the album on Pitchfork here. Shout out to Ben Gomori’s Turned On for the tip.
Jesse Bru put this one out as DJ Man Child. Why? I don’t know. All I know is that it is a really very tasty breaksy emotional housey number. That’ll do. And bonus points for birdsong. Always bonus points for birdsong (looking at you Leon).
I’ve got a corker of an unreleased number from Disclosure for you right here. I wouldn’t have believed you if you’d told me that a James Blake / Disclosure combo would work. But it brings James’ haunting vocals together with this blissed out electronic energy and jeez. Just trust me, it works.
Sadly it looks like this track will never see the light of day in a full release so you’ll have to make do with a youtube rip.
This clip is from a full set by Disclosure, as a part of Boiler Room’s Streaming From Isolation series.
Harvey Sutherland makes music like a man who lives in perma-Summer. It must be the Aussie in him. Anyway, a couple of months ago he foretold our weather by releasing a typically upbeat funky single, Superego. It’ll tick a lot of boxes.
Bonus track: Superego is nice, but nothing on his classics. Know this one?
Bonus playlist: if you like your tracks house-y and and your instruments piano-y then I have the perfect playlist for you. Bloody hell I want to go out.