Come Together – Primal Scream

Last week the music world mourned the loss of Andrew Weatherall. The tributes have come raining in – he was clearly an amazing man, as well as being a uniquely talented artist and producer. For a full piece on him read his The Times obit here, or JD Twitch’s ode on RA here.

I was due to see him alongside his long-time friend and collaborator Sean Johnston (as A Love From Outer Space) last week, and the night went ahead as a tribute to the big man. The club (and the floor) was full from 10pm until close at 4am, and the atmosphere was special – the crowd felt filled with his friends and family.

Andrew produced Primal Scream’s Screamadelica, and Sean closed the night with a blissed out, full volume cut of Come Together. Goosebump-raising stuff. Enjoy the original here.

More from me on ALFOS here and here. Finally, if you are a Weatherall super-fan, you can browse and download around 900 hours of his mixes here, on a fan-built Google Drive. Big props.

Utai IV: Reawakening – Kenji Kawai

Want to get something in your earholes that is equal parts eerie, uplifting and foreboding? Then look no further than Kenji Kawai’s Utai IV.

It was written by Kenji for the 1995 Japanese Anime classic, Ghost in the Shell. The film was remade recently and picked up a lot of criticism for white-washing (plus being generally a bit crap). In the same way, this iconic track was butchered by Steve Aoki – he brought some completely unwelcome bro-step energy to it and the whole thing was a mess.

Anyway, I hope you enjoy it in its full, unadulterated glory.

Kuar (Henrik Schwarz Remix) – Emmanuel Jal

Happy New Year crew.

Boy do I have a treat for you today. I actually cannot believe I haven’t posted this one before. It’s Henrik Schwarz remixing Emmanuel Jal’s Kuar and it’s a stonker. It was the first track I heard this decade, and I couldn’t have been happier about it. Shout out to Philou Louzolo for a big New Year’s set at De Marktkantine.

So this track is massive in its own right, but I just read a bit of the back story of Emmanuel Jal and it is nuts. He was a child soldier in Sudan before he was rescued and smuggled out into Kenya. He then went on to forge a successful career across music, film and social causes. Read about him here.

Finally, as an extra special New Year’s treat, here is a playlist I put together on a similar vibe.

Big love for the new decade.

Piano Dream (Heaven & Earth Mix) – DJ Mountain Dad

I don’t know much (/anything) about DJ Mountain Dad, but he looks like a jolly fellow. Anyway, he (/she?) has a new release on Let’s Play House and it’s dreamy. Skip through the vacant 1 minute hard-house opening and tuck straight into the 100% good Gypsy Woman sample. Primo. Can imagine this going off at a festival somewhere.

The original for you sample-lovers:

Closing thought: this wave of electronic music producers with kind of ironic names is really fun. DJ Tennis, DJ Seinfeld, Ross From Friends, DJ Bus Replacement Service, DJ Boring… literally, what next?

Escape From Planet Monday – DJ Fresh

Today is a right old throwback to 2006 when DJ Fresh was a fresh-faced drum & bass producer. Some of the album has aged very very badly so I’m just picking out the top tracks.

First up, It’s All That Jazz. 3 minutes of beats, bass, rhythm, breaks, guitar strum etc. etc. playful jungle vibes.

X Project. Great name. Great tune (granted, in a very 2006 DJ-Clipz D&B scene way).

And last up, Funk Academy. I have no idea what he was thinking but it kind of works.

Bodily Functions – Herbert

When Matthew Herbert wants to do something weird, he becomes Herbert. And boy does he do it well.

Bodily Functions is his album from 2001. It’s all somewhere between jazz, electronica and house. It’s slinky. Highlights are It’s Only (made famous by DJ Koze) and my favourite, down at track 14, is The Audience.

And by the way, this guy does zero sampling and uses zero drum machines or synths. AND all of these tracks include samples of the human body. Crazy.

Bonus track: I Hadn’t Known (I Only Heard) and it’s only from 1998! It has just been re-issued and it sounds as fresh as you like.