The Slow Rush is without a doubt my album of the quarantine session so far. It’s Tame Impala’s 4th and it’s a cracker.
Kevin Parker recorded this between native Australia and LA – and that provides a really nice window through which to understand the sound. It’s this awesome struggle between a lazy, beachy indie sound, and the more intense, highly produced electronic LA vibe. I hope you enjoy it as much as I am.
Bonus track: Ben Gomori’s remix of Breathe Deeper gently lifts it up one notch. Lovely.
Photo credit: Neil Krug
*NEW SOUNDS FOR YOUR BORED QUARANTINED EARS*
Jadu Heart’s first full length album is excellent. The masked duo are growing with every release – tightening their grip on their screwed-up electro-pop style, and casting a spell over the listener. The interplay between their voices (his rough and raw, hers sweet and tender) is perfectly measured; and the switches between moody and playful are perfectly executed. Even the album’s more straightforward rougher edges serve to increase its charm.
You can probably tell I like it. And it I like it more each time I put it on. Oh and boy you should see them live.
Most of the tracks have already been released so it might feel quite familiar. My star picks are Wanderlife and Harry Brompton’s Ice Tea, but in truth I could list half of the tracks on there.
More of my thoughts on Jadu Heart here.
Lo-fi indie rock from Sweden. Not a genre I know a lot about, but when a song is good, it’s good, y’know?
A bit of a change of pace here – something to nurse your Sunday heads. Meg Duffy’s Hand Habits was my most-played band of 2019; I’m slightly hooked on their particular brand of wistful folk . Lead singer Meg Duffy’s vocals waver in a fragile kind of way that draws emotion right to the surface. It’s beautiful, it’s calming and feels real. I hope you like.
Bonus album: placeholder is her second album, but the first, Wildly Idle (Humble Before the Void), is just as nice. Enjoy.
There’s a lot more to say about Meg Duffy, but I don’t really feel qualified. If you want to read more about how her album is “staging queer stories against a wistful Americana backdrop” then read this Pitchfork review.
Everyone has a dream-pop mood right?
Still Corners are a British/American duo that make the kind of indie that transports you through time and space – embracing you, picking you up and taking you on a journey. Here is my favourite album (their second) from 2013.
They have a lovely back-story too – the duo (Greg Hughes and Tessa Murray) met by accident on a random train platform in London. If its possible, I think you can kind of hear it in their music…
Like what you hear? They are on tour right now.
Photo credit: Bernard Bur
Mac DeMarco is a fucking genius. A lovable, goofy genius. He’s released a new album, and here it is. My picks, Nobody, K, All of our Yesterdays.
As a side-note, I just have no idea how high you have to be come up with these videos.
Want more Mac? So do I. He’s playing at All Points East in Victoria Park later this Summer, and I’ll see you there. Rest assured, the man puts on a show.
Something a bit different for you this Sunday. A couple of tracks by Chelou.
First up, Halfway to Nowhere is produced by Maya Jane Coles and set to the weird and wonderful magical world of animator Andy Baker.
And to follow, a bit less garden, a bit more intergalactic, another cracker.
You can catch Adam (Chelou) finishing up his European tour in his Camden hometown at the Jazz Cafe in a couple of weeks. Snap ’em up.
Bonus track: Ross From Friends in on the remix action, taking it down a notch