News has come out over the past couple of days that German DJ / producer / label owner Michel Baumann (aka Soulphiction, aka Jackmate) has died. He was associated with big labels like Playhouse and Pampa, and founded his own, Philpot. RIP
Not a lot to say about this except that it’s hitting just right. Busy and bouncey electronic house music from 2014 with a Lxury kind of feel. It might feel a bit jarring at first, but give it a moment and it will get you going.
Today I’ve got an almost unreasonably deep EP from Canadian newcomer Chat Desmond.
If you only listen to one track, make it Gotta Light. In one sense, it is a mournful duet told in three parts; the male vocal takes us to four minutes in, before Gladys’ Knight’s familiar laments takes its place (the sample of DJ Koze’s Pick Up fame). Finally the two vocals greet each other in a touching finale. It is a really creative take on two samples that have probably been never been anywhere near each other before. But for all that beauty, it has another side – Gotta Light is basically a bit of a banger. The vocals are underpinned by this addictive acid-tinged bass line. Progression after progression leaves you on the tip and wanting more. Tune.
A couple more tracks to mention. The opening number Hiding From Love is another nice deep number. And as an added bonus you get a crash course in Year 1 of Philosophy undergrad.
Another to check out is Pinch Me, which is now the cause of me mentioning Beyoncé for the first time on this blog. Chat Desmond gives her Sweet Dreams the Cyril Hahn / Destiny’s Child treatment; a delightfully twisted, dark reimagining of the track.
All in all, looking forward to a Vol. 2.
As ever, a big shout out to Ben Gomori and his Turned Onpodcast for the tip.
It is… interesting. Moody, ominous soundscapes that set out to disorientate are the order of the day. Rare, Forever is more reminiscent of Floating Points & Pharoah Sanders’ sprawling Promises than it is of say, his debut album Music for the Uninvited, or the follow-up Rojus. But where Promises is reminiscent of a daydream, in Rare, Forever we meet the nightmare. A rare bright spot is An Exhale, which really does feel like a relief after the intensity of Worm (& Closer & Closer). None of this is to say that the release isn’t engrossing, but if you are coming to Leon to feel uplifted after a tough Winter then look elsewhere.
You can read more of my thoughts on Snakeskin ∞ Has-Beenhere, or his previous album Nothing Is Stillhere.
Bonus track: An Exhale reminds me of this number by Kenton Slash Demon. Enjoy
Every time Laurence releases another track, the state of my soul improves just a little bit. Mutual Excitement is a Wonderful Thing is the next up on his string of hopefully-titled, glowing, low-fi releases on Shall Not Fade. Happy to report that it is every bit as good as the last. Enjoy.
Okay, a little preface before I get to describing RAW. I’m a big fan of KiNK. He is super creative; capable of making original, inventive house music that is also super listenable. You can find some of my favourite tracks of his, here and here.
Anyway, this isn’t one of those tracks. This just has a short and simple vocal sample (“RAW”) and a piano chord progression that is about as straightforward as they come. Each drop is telegraphed. All things told, there’s nothing creative about this at all. B-side fodder.
A time has come to make a decision. Are we in this thing alone, or are we in it together?
And the rest of the track leaves the answer in no doubt.
This is the kind of track that stares straight into your eyes, grins and tells you it loves you. It grabs you by the shoulders and shakes you about until you giggle. It’ll dance down the street by your side. Yes, I needed this.
Bonus podcast: Together was Erol Alkan’s peak time pick, at his fictional last ever gig. That is the premise of Tiga’s podcast Tiga Presents: First/Last Party On Earth – he interviews big-name DJs about their craft, and what they would play during their last ever set. Think Desert Island Discs for DJs. Worth a listen.
This is Jesse Bru doing something very simple, very well.
A drifty piano chord, a little vocal sample, a little horn, a skitty little drum line and a little bass. That’s all it takes to create some blissful, sun-drenched good vibes.
Just look at the happy little fella!
You can find more of my favourite Jesse here, or if piano house is your thang, then I’ve got whole playlist sorted for you. You can thank me later.