If you are any kind of music fan, this has to be the sort of artist combination that will pique your interest. Floating Points is respected as one of the most talented and original electronic music producers out there. Add in Pharoah Sanders, an all-time legend from the world of jazz, with experience that stretches back to the sixties. Top it off with The London Symphony Orchestra. Et voila.
So, does Promises live up to the big-name billing? Yes, probably in ways you wouldn’t imagine. Think of the album as your companion on a spiritual journey, or a meditative splurge. Either way, let it surround you. Let the atmospheric synths, and the mastery and artistry of the players cast a spell.
It took five years to create and you can see why. It is the kind of album that does not come around very often.
Bonus track: this Tape Notes podcast episode is a deep dive into Floating Points aka Sam Shepherd’s production process for his last album Crush. I found his process pretty mind-blowing – I didn’t realise the extent to which an electronic music producer’s craft can be in the actual creation of instruments. He goes into detail on how he has built and tweaked his setup. A lot of it will go will probably go over your head (as it did mine), but the dedication is plain to see.