Casino Times

Two utterly colossal tracks today from UK duo Casino Times. Both released in 2012, they are slow-building house numbers – based on yearning vocals, shimmering synths and (eventually) a warm thudding bassline.

First up, I Wanna Know.

Secondly, That’s The Truth. A beautiful re-imagining of De La Soul’s All Good. A huge shout out to James Prescott for the recommendation and playing it outside my room at all hours of the night.

Air Valley – James Welsh

Some super glidey electronic from Yorkshire producer James Welsh. This was his breakout EP on Losing Suki from 2012 – it feels fresh and smooth in a way not many artists manage.

My highlight is Talk, where the bass takes a backseat to a simple soulful sample (Baby I’m For Real by Motown group, The Originals). Top marks.

Bonus track: since this EP James has released music on a pretty A-list set of electronic labels (WOLF, Hypercolour, Futureboogie) but he has moved towards a stripped-back darker style that I think loses some of the charm of his earlier work. Having said that, I am a fan of this Lancelot-y number. Enjoy

Wayward

This UK duo have popped up from under the radar to be one of my favourite producers of 2018. They’ve released a load of beautifully trance-inducing, goosebump-raising electronica. The music sounds like an embrace. Think of them as a bit like Four Tet’s housier/trancier cousins.

This EP on SilverBear has a whole bunch of gems.

Bonus track: I couldn’t help myself. Orissa is simply stunning. It is named after an Eastern state of India, and uses a beautiful chanting sample. I’ll say it again, stunning.

Photo credit: Nathan Greenwood

Sacrifice – Simian Mobile Disco & Bicep

Find the best speakers you can and turn this one up loud. Do it right and this track will demand your full attention. SMD & Bicep recorded it during a joint jam session, direct onto analogue tape, and you need to hear it properly. So yeah, loud – I’m not joking.

If you’re liking these deep sounds then check out this playlist I put together. A bunch of house tracks full of thick noises to smother yourself in.

Time For Us – Nicolas Jaar

I could have posted any number of Nico Jaar tracks but this single from 2010 on Wolf + Lamb takes the biscuit. He specialises in slightly unsettling, deep electronica with long builds and deep drops – and this has to be the best example: Time For Us drops at 75 BPM. 75 BPM! Now that’s some slow house. Feel it soak your bones. Mi Mujer is a bit more upbeat and exotic to boot – influenced by his Chilean roots. Get your Latin hat on and groove out.

Bonus track: there has to be a bonus track with Nico doesn’t there. Make no mistake, the man has a deep discography for someone born in the 90s. This is the album Nymphs from 2016 – the first two tracks in particular are subtly, and heartbreakingly beautiful.

Projections – Romare

Every Sunday I bring you something a little more downtempo to ease you back into the world.

Romare specialises in taking samples from Afro-American culture and reimagining them into super original, modern electronic tracks. Given that he’s a London-born white man there are some that think his approach is a little disrespectful. I’ll leave you to decide where you sit on that subject. Either way, it’s definitely worth a listen (and if it is your jam, you’re in luck – there’s a second album).

Spayce – Andhim

I’m growing a moustache to raise money for the Movember Foundation. So this month I will be honouring some of the best moustaches in music. You can donate to my mo here: https://mobro.co/harry-mo

What’s your favourite music video? This is up there with mine – a delicious mind-bending sci-fi number. And this song? Well this song is just 100% housey pumping goodness. Turn it up and enjoy.

Bonus track: Andhim are pretty decent you know. Here’s some more feel-good house from the German duo.