Prequel’s debut album sits somewhere between Laurence Guy, Leon Vynehall and Romare. Not a bad place to sit.
As you would expect from a long-time Rhythm Section producer, the style is heavily influenced by jazz, and draws from a number of ‘world’ influences – he is described as having a ‘keen crate-digger’s ear’. Love Or (I Heard You Like Heartbreak) is a really engaging listen, and the execution is classy as hell. Enjoy.
Every time Laurence releases another track, the state of my soul improves just a little bit. Mutual Excitement is a Wonderful Thing is the next up on his string of hopefully-titled, glowing, low-fi releases on Shall Not Fade. Happy to report that it is every bit as good as the last. Enjoy.
Happy New Year music fans. As ever I’m pumped to bring you a load of new music this year, but before I do, let’s have one final post on the cursed year that was 2020. Here are my most played tracks of the year courtesy of Spotify. You’ll find some new ones, some old ones, some quick ones and some slow ones. Pop it on shuffle and enjoy.
Quick note – as ever there are a couple of albums on here that I’ve rinsed for chilling out. So expect some abrupt vibe changes. You’ve been warned.
Laurence Guy always delivers. Two 2020 EPs on Shall Not Fade consisting of 7 tracks for your listening pleasure today.
First up, the wonderfully titled, The Sun is Warm and Directly Above You. My pick is Untitled Needs – it wanders and sprawls, all the while punctuated beautifully by Laurence’s trademark piano chords. Healing and heartwarming. The title track is equally picturesque. What stands out for me is the gentle chatter sample that lives in the background – it gives me the feeling of being surrounded by people I like, having a good time – a feeling that is seemingly tough to create in 2020.
Your Good Times Will Come – how sweet is that? My favourite is The Spirit. It has, you guessed it, stunning piano chords, and also a bass section that resonates and vibrates with warmth and beauty. Also a shout out to Experience Health which somehow manages to create a meditative acid vibe; strings and gurgles combine in a way that I didn’t think was possible.
More of my favourite LG here and here. I’m a bit of a fanboy. Sue me.
Laurence Guy’s last release was called Making Music is Bad for Your Self Esteem. Which is kind of sad. It’s also kind of odd. Because I feel like most people that listened to it probably said something along the lines of “Hey, Laurence! Great release!” or something along those lines.
Anyway, he’s back again with a mini EP, playfully titled Why Do Cowboys Never Die In the East? And I think this time maybe he has a point.
Anyway, he delivers 3 beautifully extended ambient tracks – if you have anything inside you that you want to release, this is the EP for you. Characteristically picturesque work that’ll take you on a journey.
Today I’ve got some dreamy, floaty numbers coming at you from everyone’s favourite Australian-born, Berlin-based electronic music producer, Jad & The.
It’s a more circumspect, instrument-heavy release than what you would normally expect. And probably because of that, it’s fucking beautiful. His production skills come to the fore as spiralling trumpets and flowing pianos abound. Reminiscent of Rhythm Section or Laurence Guy, which ain’t no bad thing.
Tough to pick a favourite, but Matano Trumpet Jam and Bells Creek Road just about stand out from the crowd. Enjoy.
Fun fact: he used to be called Jad & The Ladyboy: went through a rebrand a dropped the last bit. Probably wise.
What do you get if you throw together the most delicate sections of Leon Vynehall and the playfulness of Harvey Sutherland? Well you get this of course! Laurence Guy’s debut album released last year on Camberwell-based Church Records is a glittery piano-looping genre-transcending gem. There are literally no bad tracks! Enjoy.
He’s playing alongside Session Victim at XOYO this Saturday. Don’t miss out.
Bonus track: Laurence’s break-out single Les Mur, released on Ben Gomori’s Monologue Records back in 2015