Category: Old

Hollywood (Jacques Lu Cont’s Thin White Duck Remix) – Madonna

A couple of week’s ago I had the absolute pleasure of being at the opening night of Madonna’s Celebration Tour. Production levels were off the charts. If you get the chance to go to one of the remaining legs, I can’t stress enough that you should make it happen. The show made the most of her insanely rich back-catalogue with hit after hit. She’s an amazing performer, and it was an amazing show.

For today’s track we are rewinding to 2003, and a grinding, nasty remix of Hollywood by Jacques le Cont (aka Les Rythmes Digitales, real name Stuart Price). The speed is lifted and the drones are amplified, giving the track a new, dark energy. Interestingly, this was the version of the track that Madonna performed during the MTV Video Awards. After this remix, Price went onto work as a producer on Confessions of a Dancefloor amongst other collaborations with Madonna.

Bonus track: it wasn’t easy to pick, but this was my highlight from the show.

Jai Paul

Something a bit different today: a video feature on the re-emergence of Jai Paul on the excellent Resident Advisor youtube. They put it out in the run-up to his first ever live show, at Coachella. Apparently his performance didn’t quite live up to the hype, but you best believe he has more to offer the world.

More Jai? You can find his remix of Jungle Drum here and Do You Love Her Now / He here.

Faithless

Just before the end of the year the sad news emerged that Maxi Jazz, lead singer of Faithless, had died. There are plenty of great obituaries and tributes out there that are worth a read. Here is one from the Guardian.

What stands out for me about him as a performer is how he brought soul and emotion into dance music. Lyrics which make you think, or move you through their poetry, are rarely found in tracks that are at home in the nightclub. His charisma and presence give Faithless’ music a sense of awe which is very, very hard to replicate. The lyrics are not necessarily complex, but they clearly come from the heart, and delivered by Maxi, have a real sense of power.

When I started my first real job at the age of 21 I was taken out to lunch by some colleagues to welcome me to the team. Putting me on the spot, one of them asked me which song in the world I knew all of the words to. They were pretty bemused by my answer of We Come 1. Equally I could have said Insomnia (which I listened to over and over again in bed on my iPod Classic). These tracks were a huge part of my dance music awakening.

Maxi Jazz left a permanent mark on music. His work will be long remembered. RIP.

Best of 2022

A very Happy New Year to you all. Thanks again for checking out the blog, and sending feedback, ideas, and love.

Before we get to 2023, here’s one final post on 2022.

Here are my most played tracks of the year courtesy of Spotify. Some gems in there. Heavily featured artists include Totally Enormous Extinct Dinosaurs, Bonobo and Hand Habits.

https://open.spotify.com/playlist/37i9dQZF1F0sijgNaJdgit?si=a571c8ffb4884b22

And finally, here is a link to my top 50 on Soundcloud. Knock yourself out.

Canto Della Liberta – 3rd Face

You don’t need me to tell you that a lot changed in the world between August 2018 and August 2022. That time period also marked the gap between the second and third edition of Houghton Festival. 2019 fell victim to ‘high winds’ and 2020 and 2021 were both casualties of COVID.

The 2018 festival was the first time I came across A Love From Outer Space, the project of Andrew Weatherall and Sean Johnston. They delivered a transfixing set, which felt both completely at home in, and completely distinct from, the house music surrounding it. Fast forward four years and we are now without Andrew Weatherall, who tragically died in February 2020.

Sean Johnston has been keeping the spirit of the duo alive by playing under the ALFOS moniker, and returned to play one of the closing sets at Houghton 2022. It was highly emotional, studded with tributes to his dead friend, and once again utterly transfixing. As well as some ALFOS favourites, Sean played Canto Della Liberta by 3rd Face. This was probably the most memorable tracks of the festival for me – bizarre, punchy and loads of fun.

Sean Johnston is playing as ALFOS at Phonox in December. Trust me, not one to miss if you can help it.

More Dusky

Long time no see listeners. I’m back with a triple-helping of Dusky goodness.

First up, one of my fave tracks from 2012, their remix of Cloud 9’s Don’t You Want Me Baby. This’ll be sure to get a smile on yer face.

But look, this is Dusky we are talking about, and it all really began (just over) a decade ago with Stick By This. Earlier this year they released a deluxe 10 year anniversary edition with some tasty little edits. Here. You. Go.

And finally, they released a new album just last week. Maybe you were at EartH this weekend for the launch party. Anyway, Pressure is a tribute to the sound of their youth, which is… garage. I have to be honest, most garage isn’t really for me – but for these guys I’ll make a small exception. Check it out here.

Sail We Must: A Sea Story of Andrew Weatherall & An Irish Fisherman

I’m going to let this one speak for itself. Enjoy.

*update it looks like they may have disabled embedding, you watch the video here.

In rural county Cork, a lone fisherman met a weary traveller who was on his way to a gig. They soon began to exchange stories, namely tales of the sea. During their conversation, the seafarer shared a sentiment that would stay with his passenger forever: “fail we may, sail we must.” The Tenth Man presents Sail We Must directed by Grizzly, a short film telling the beautiful story of the chance meeting between iconic artist Andrew Weatherall and fisherman Gerard Sheehy. The 10-minute film explores how the words of wisdom Sheehy shared with Weatherall changed his path and went on to influence another generation of musicians and creatives. The film also features Cian Ó Cíobháin who was instrumental in finding Gerard, as well as Andrew’s close friend and collaborator Sean Johnston. All proceeds from this film and any screenings will go to Andrew’s family and the charities that meant the most to him. thetenthman.com