Floating Points (nee Sam Shepherd) is not your usual music producer. What I mean by this is that he has a PHD in neuroscience. Anyway he has a new album, it’s called Crush, it’s out on Ninja Tune, and he created it over the course of 5 weeks having been inspired by his time supporting the XX on tour. Pretty sick all round really.
Two tracks to pick out. Les Aplx was the first single out. It is a really tasty classic Floating Points bubbling kind of number – think Nuits Sonores. It rolls straight into my top pick, Bias. Now this one is a little bit special. It starts off all chilling and foreboding and then sparks into life with a proper thump. A bit nerdy, but check out that pause-drop on 2:40. OOSH!
By the way, thank you for coming to read my blog. If you fancy a really well written review of the album you are in the wrong place. Head here -> https://www.residentadvisor.net/reviews/24333
Today is a right old throwback to 2006 when DJ Fresh was a fresh-faced drum & bass producer. Some of the album has aged very very badly so I’m just picking out the top tracks.
First up, It’s All That Jazz. 3 minutes of beats, bass, rhythm, breaks, guitar strum etc. etc. playful jungle vibes.
X Project. Great name. Great tune (granted, in a very 2006 DJ-Clipz D&B scene way).
And last up, Funk Academy. I have no idea what he was thinking but it kind of works.
In honour of Hallow’en, this track is a funky little bluesy creeper. Spooky.
Props to Dauwd for somehow including this track in his B2B set at Printworks.
I’ve been waiting for this one for a while. I hadn’t come across these guys before – a Glaswegian duo called Manakinz (James ‘Harri’ Harrigan and Max Raskin) – but what they’ve created is an absolute monster. It’s a grotty kind of house track with a spine-tingling, industrial kind of vibe. I’ll say it again, it’s a monster.
Shout out to Ben Gomori for getting this out on his label Monologue Records. Check out the rest of the EP for some freshness from Paxton Fettell and Kristy Harper.
When Matthew Herbert wants to do something weird, he becomes Herbert. And boy does he do it well.
Bodily Functions is his album from 2001. It’s all somewhere between jazz, electronica and house. It’s slinky. Highlights are It’s Only (made famous by DJ Koze) and my favourite, down at track 14, is The Audience.
And by the way, this guy does zero sampling and uses zero drum machines or synths. AND all of these tracks include samples of the human body. Crazy.
Bonus track: I Hadn’t Known (I Only Heard) and it’s only from 1998! It has just been re-issued and it sounds as fresh as you like.
I feel pretty well qualified to write about this one. I’ve given it a few listens on the headphones, I’ve seen them play some of it live, and now I’ve listened to it in the Dolby Sound Studio with a blindfold on. So here’s what I think.
First up, if you love Bon Iver because of For Emma, Forever Ago or Bon Iver then you will continue to be disappointed. They have seemingly left that simple folky magic behind them forever. On the other hand, if 22, A Million is more your bag then you’re likely to be falling in love all over again.
The album mixes some experimental and hard-hitting set-pieces with your (slightly) more traditionally composed tracks that will inevitably be the main hits (including Hey, Ma and my favourite, Naeem). But, to be fair even these tracks are pretty amazing, and unique – they are unmistakably Bon Iver.
Fair to say that there are also some weaker tracks; U (Man Like) strikes an odd quasi-gospel tone and Salem could legitimately be a Coldplay track. It also goes on for one track too long – Sh’Dia is an awesome final track mash-up, but then it gets followed by RABi which sounds pretty pedestrian in comparison.
All in all, it’s pretty good. And on top of that, Bon Iver albums always grow on you. Listen to it enough and it’ll form a part of you.
If you like your house nice and gloopy then look no further. It’s long-time Japanese experimental house legend DJ Nori with a touch of the Maurice Fultons. It’s Happy Sunday. And it’s right here for your listening pleasure.